In my second work block, I attacked revisions to my statements, a reading of a chapter draft by my classmate JN, class prep for Thursday, and preparing dinner for my fellow dissertation writers. I hoped to get to my Qian Zhongshu poetry conference paper, and to get some grading done, but there was no time for that.
My pumpkin curry was a success. We discussed JN's dissertation chapter, on the tensions between British India and the smaller territory of Pondicherry controlled by France. Pondicherry became known as a place that tolerated dissidents, as JN showed with portraits of Aurobindo Ghose, Mira "la mere" Alfassa, and Varadarajulu Subbiah -- these last accounts were particularly fascinating, even through the painful "dissertationese" we all must endure together in this period.
I got Wiki'd and Instapapered, yo |
There is something thrilling about finding a distinctively modern consciousness that can express itself in classical form — the classical Chinese poems of Qian Zhongshu (1910-1998) are a particularly thorny example which I believe deserve our attention, and call for new thoughts on the staging and presentation of Chinese poetry in translation.It's always best, I think, to read a little before bed, even if it's only a very little. I've been reading "Dog Run Moon" by Callan Wink for three nights, and still didn't finish the story. (NB: Googling for the title brought up an entry on the story by writer Clifford Garstang)
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